Showing posts with label Arcade Fire. Show all posts
Showing posts with label Arcade Fire. Show all posts

Tuesday, August 10, 2010

The Body Of Christ And The Legs Of Tina Turner

Listening to Fight Like Apes' new album The Body of Christ and the Legs of Tina Turner, which is due for release on August 27. Track list below, and as we have come to expect from the excitable Dublin (now) trio, it is off the wall and sounds like none of the urgency or humour has been lost from 2008 debut album FLA and the Mystery of the Gold Medallion.

Tracklist:
01 Come On, Let's Talk About Our Feelings
02 Jenny Kelly
03 Pull Off Your Arms And Let's Play In Your Blood
04 Hoo Ha Henry
05 Katmandu (Face It, You're Caviar, I'm Hotdogs)
06 Thank God You Weren't Thirsty (Lightbulb)
07 Poached Eggs
08 Captain A-Bomb
09 Waking Up With Robocop
10 Indie Monster
11 H + Z5 Together At Last
12 Ice Cream Apple Fuck

Should get a review together for next week's Chronicle, although releases from the Brad Pitt Light Orchestra and last week's Arcade Fire album plus Dinosaur, the debut album by John, Shelly and the Creatures (who play Dolan's this Friday, see today's Chronicle for interview) are also occupying much of our listening space at the moment..

Wednesday, August 4, 2010

Album review - Arcade Fire 'The Suburbs'

Arcade Fire
‘The Suburbs’
(Universal)

AFTER THE near faultless Neon Bible, follow-up to smash debut and album of the decade poll-topping Funeral, it appeared Arcade Fire could do no wrong, particularly in these parts, where they seemed worshipped with a certain reverence.
However, poor early word of mouth on this third album, the strangely titled ‘The Suburbs’, a small-ish crowd at Oxegen to see their headline Friday night appearance - could there be cracks appearing in the world’s biggest alternative band?
Not a bit of it.
True, this is a sprawling, bloated, so-called “concept” album that could have done with co-producer Markus Dravs getting out the scissors and trimming a few tracks - but boy is it a musical hotpotch, a heady brew of deep, dark, often subversive tunes that will take some amount of sampling to pronounce a verdict on.
There is a sense of unease about proceedings here, as if Wyn Butler, Regine Chassagne et al were slightly unconvinced about what they were attempting, but this 16-track beast is a testament to their bravery as artists.
The album boasts some classic rock tunes - Modern Man, an early highlight; synth-driven, Krautrock beats - Sprawl II Mountains Beyond Mountains; and chugging, string driven orchestrations - the pitch-perfect Rococo.
We particularly like the gloom of Sprawl I and II - capturing beautifully the mood and desperation of suburban life - “living in the sprawl/dead shopping malls rise like mountains beyond mountains”.
The gentle, almost jaunty opening of The Suburbs is disarming, but the No Cars Go spin-off Ready To Start is unmistakably Arcade Fire, a downbeat offering with a whipping electro finish. The first half of Half Light I recalls Sufjan Stevens with its swirling violins, while its follow-up, Half Light II, is less memorable.
The Fleetwood Mac-meets-Springsteen sheen of Suburban War is one of the highlights - “oh my old friends / they don’t know me now”, while lead single We Used to Wait - echoing as it does Foals/Klaxons - makes more sense when heard in context with the rest of the album.
Don’t listen to the naysayers, this is up there with Arcade Fire’s best work - bizarre Depeche Mode-concept quirks aside - but could still have done with being reduced in scope.
That said, there is enough here to offer a new experience with each new listen.
RATING: 4/5

Wednesday, July 14, 2010

Oxegen 2010 round-up and review


FOR THREE DAYS it rained, poured and rained some more, turning the Punchestown-based Oxegen site and surrounding camping areas into veritable swampland, despite discussion beforehand that the best June in 40 years would help keep the mud away.
Then, miraculously, on the fourth day - fittingly a Sunday - campers awoke to clear skies and sunshine.
If it sounds like a Biblical scene, then all that was missing Thursday through Saturday was a plague of locusts to complete the effect.
However, as ever at this massive spectacle, the quality of the music on display and the positive disposition of the majority of the crowd, meant Oxegen was once again more about happy festival memories than the already fading scenes of deluge and muck.

In one of the festival’s strongest ever line-ups, there was a virtual array of highlights - Vampire Weekend’s preppy, upbeat tunes warming up a rain-soaked crowd on Friday afternoon; MGMT-lite Aussie band Empire of the Sun donningt mind-bending costumes and employing psychedelic visuals in a heaving Heineken Green Spheres tent; rap mogul Jay-Z performing his mash-up of U2’s Sunday Bloody Sunday and the anthemic Empire State of Mind to a heaving crowd, watched by Beyonce and accompanied by an 80-strong entourage; Arcade Fire performing some new material alongside their biggest hits in a very rare balmy and dry hour and a half; Conor O’Brien almost stealing the show with his epic, heartfelt songs in the 2FM/Hot Press Academy tent; Florence warming up yet another sodden crowd with her soaring vocals; Muse belting out their epic rock-opera tunes along with a stunning light and laser show, proving them to be one of the biggest bands in the world right now, and members of the Irish rugby team joining Mumford and Sons on stage for a drum-pounding finish to their upbeat set on Sunday evening.




Despite rumours to the contrary, and after apparently refusing to walk 50 metres at Scotland’s T in the Park on Saturday because of the mud, rapper Eminem did actually make it to Punchestown to wrap up the hip-hop heavy festival, playing some of his biggest hits, including storming versions of The Way I Am and Cleaning Out My Closet in his opening coda.

Securing some or all of these acts was a major coup for promoters MCD, who claimed a crowd of 75,000 - a figure which relied heavily, we would estimate, on the massive crowd of Saturday day-trippers, such was the long lines of queues we saw early that day.

The usual assortment of stars popped into the festival, including the aforementioned Ms Knowles and Messers Jamie Heaslip, Tommy Bowe, Luke Fitzgerald and Cian Healy, as well as Jared Leto, whose band 30 Seconds To Mars played late on Sunday night, while fetching movie star star Rachel McAdams also made an appearance.


On the Beat met a large and varied assortment of fans who made the pilgrimage from Limerick to the Punchestown extravaganza - often seen as something akin to a rite of passage for many in their late teens - while Tim Kelly of Kelly Bus Travel reported a busy trade in those using the round the clock bus services from these parts.
Pleasantly beer prices seemed to have come down this year, making the festival a bit easier on the pocket.
With some of the world’s biggest names appearing on the Punchestown stages, the only thing missing from the line-up was the good weather, but then there’s always next year.
We live and hope it might be better, but the masses will descend regardless, and we will probably be among them.

Monday, March 8, 2010

Arcade Fire added to Oxegen 2010 line-up

It has been just announced that perennial Irish favourites, Arcade Fire, are to occupy a headline slot at this year's Oxegen music festival in Punchestown - with Fatboy Slim also added to a bill that already includes Eminem, Muse, Jay-Z, Black Eyed Peas and more. Tickets go on sale this Friday at 8am - although I think there is a pre-sale on this morning, see here for more.